Set in post-war Rome, Bicycle Thieves follows Antonio Ricci, an unemployed man who finally lands a job requiring a bicycle, only to have it stolen on his first day. Accompanied by his young son Bruno, he desperately searches the city's streets and markets, confronting poverty, moral compromise, and despair. Directed by Vittorio De Sica, the film is a landmark of Italian Neorealism and a timeless meditation on human dignity and social injustice.
Antonio walks away from the camera holding his son Bruno’s hand, weeping. The crowd swallows them. De Sica refuses redemption. He gave Italian neorealism its purest image: humiliation forgiven only by love.
The neorealist cornerstone: a stolen bike is the difference between work and ruin, and De Sica makes that small catastrophe carry a whole class's precarity.