Lee Chang-dong's first film in eight years takes a Murakami short story and stretches it into a 148-minute psychological tightrope. Steven Yeun's gentle, oblique villain is the film's central mystery — and the ending refuses to confirm anything, which is precisely its devastating effect.
Lee Chang-dong\'s adaptation of a Murakami short story refuses to confirm whether the suspense is real — class envy, jealousy, and unreliable narrators feed one of the most ambiguous endings of the decade.
Lee Chang-dong films Murakami's adaptation: a frustrated writer, a woman, and a wealthy man. The film is the genre's most patient slow burn.