In 'Phantasm' (1979), a young boy named Mike Pearson and his older brother Jody become involved in a struggle against a supernatural entity known as The Tall Man. This mysterious figure, who has been stealing bodies from the local cemetery, possesses a range of deadly weapons, and seems to have a frightening plan for the citizens of their small town.
Coscarelli constructs an unsettling mythology from fragmentary logic and dream-state geography, where the Tall Man's incomprehensible motivations and impossible weaponry (those killer spheres) feel genuinely alien rather than explained. Its low-budget resourcefulness and refusal to clarify its own rules established a template for folk-horror and cosmic-dread franchises that continue haunting independent cinema today.