In Alfred Hitchcock's classic thriller, a retired detective with a fear of heights is hired to follow a friend's wife who is behaving bizarrely. As he becomes obsessed with her, he is drawn into a complex web of deceit and danger.
Hitchcock told the audience the twist halfway through, against the studio’s wishes, because he wanted the second half to be unbearable. On first viewing it is. On rewatch the first half is unbearable: Scottie was being managed the whole time.
Hitchcock films Scottie's obsession with the woman he could not save and the woman he tries to recreate. The genre's foundational text: love as pathology, the camera as accomplice.
Groundbreaking camera effects to portray acrophobia
Scottie remakes one woman into another until the double becomes an obsession that kills. The definitive film about loving a copy.