David Lynch's longest and most experimental feature follows Laura Dern through a fragmenting consciousness that may be a film within a film, or a curse, or both. Shot for years on a prosumer camcorder, it looks unlike anything else — and asks more of its audience than any other Lynch work.
Lynch shoots three hours of expressionist dread on consumer-grade digital video — an actress fragments across timelines, languages, and identities until the screen itself feels haunted.