Darren Aronofsky's most divisive film is a controlled-burn allegory you can read as Genesis, climate change, the trauma of female muse-hood, or all three at once. Jennifer Lawrence anchors the chaos as the only stable presence inside a house that is also the world.
Aronofsky's allegory shifts gears every twenty minutes — domestic drama, home invasion, apocalypse — until the film is no longer about anything and is therefore about everything.